SPEAKERS PROGRAM | Tuesday 27th September | Wednesday 28th September | Thursday 29th September | Friday 30th September
WEDNESDAY
9.00-10.30am |
Keynote Speaker: Paul Coldwell Just What Is It that Makes An Artists Folio So Special, So Appealing, So Important? - K3.09 |
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10.30-11.00am |
Morning tea - Building G Concourse |
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11.00am-12.30pm |
Session 1 |
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VENUE 1 - G1.04
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VENUE 2 - G2.22
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VENUE 3 - G2.25
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VENUE 4 - G2.26
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VENUE 5 - G2.27
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VENUE 6 - G2.34
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| Topic: Paper architecture: the unbuilt in printmedia | Topic: Printmedia and the Artists' Book | Topic: Print and the influence of digital technologies and new media | Panel: Globetrotting: Tamarind Printers Around the World | Topic: Globalization, national identities and the post-colonial perspective | |
| Chair: Luke Morgan (AUS) | Chair: Paul Uhlmann (AUS) | Chair: Euan Heng (AUS) | Chair: Marjorie Devon (USA) |
Chair: Gene Bawden (AUS) | |
| Christopher Heuer (USA) The Scrawl of Thought: On Durer and Design |
David Ferry (GBR) + performance Up Against the 'Thing': Comic Espionage and Double Acts on the British Stage and Page |
Jill Webster (NZL) The Invisible Matrix - How a digital and traditional printmaking practice can support one another |
Russell Kennedy (AUS) Indigo Asks: What is Indigenous Design? |
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| Jennifer Ferng (USA) Portrait Punching: The Monetary Screw Press, Imprinting, and the Continual Quest for Perfection |
Sarah Bodman (GBR) A Manifesto for the Book - artist's book - artist's publication - book art? |
Simone O'Callaghan (GBR) Tagged at Dundee Contemporary Arts: How your mobile phone can demystify print-based artworks |
Eve Kask (EST) From Raised Eyebrows to Fallen Bus Stops: Explorations of Estonian Identity in the Post-Soviet Era |
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| Luke Morgan (AUS) Paper Machines: The Fountain in Early Modern Technical Treatises |
Jude Walton (AUS) Trace, Mark, Scribble: the dancing body on the page of the artist's book |
Annis Fitzhugh (GBR) Digital at DCA Print Studio - Making the most of new technology without abandoning traditional skills |
Glynis Lee (AUS) 'Hybrid' Prints reflecting 'Hybrid' Identities |
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| Q&A | Q&A | Q&A | Q&A | ||
12.30-1.30pm |
Lunch - Building G Concourse |
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1.30-3.00pm |
Session 2 |
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VENUE 1 - G1.04
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VENUE 2 - G2.22
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VENUE 3 - G2.25
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VENUE 4 - G2.26
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VENUE 5 - G2.27
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VENUE 6 - G2.34
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| Topic: Paper architecture: the unbuilt in printmedia | Topic: Printmedia and the Artists' Book | Topic: Print and the influence of digital technologies and new media | Panel: Gestetner to One Arm Bandit | Panel: On the Periphery of Things- defining the 'Edges' of contemporary print practice from the North to the South | Topic: The history and theory of the print, printmedia and printmaking |
| Chair: Luke Morgan (AUS) | Chair: Sarah Jones (AUS) | Chair: Euan Heng (AUS) | Chair: Alison Alder (AUS) |
Chair: Rebecca Beardmore (AUS) with introductory remarks by Richard Noyce (UK) |
Chair: Cathy Leahy (AUS) |
Lisa Slade (AUS) |
Julie Barratt (AUS) |
John Pusateri (NZL) |
When Art is 3 and 4 Dimensional, Can It Still Qualify as a Print and How Can This Advance the Art Practice? |
Wallace Kirsop (AUS) |
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Spiros Panigirakis (AUS) |
Sarah Bodman (GBR) for Tom Sowden (GBR) |
Maristela Salvatori (BRA) |
The Matter of Change |
Celestial Striptease: Exposure in Nineteenth-Century Spirit Photography and Writing |
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Christopher Marshall (AUS) |
Monica Oppen (AUS) & Peter Lyssiotis (AUS) |
Jennifer Eiserman (CAN) & Gerald Hushlak (CAN) |
Liz Ingram (CAN) |
Melissa Miles (AUS) |
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Copy Gothic. New Architectural Language In Print |
Q&A | Q&A | Q&A | Q&A | Q&A |
| 3.00-3.30pm | Afternoon Tea - Building G Concourse | ||||
| 3.30-5.00pm | Keynote Speaker: Heri Dono - The chronology of Indonesian Contemporary Art perspective | ||||
| 6.00-8.00pm | IMPACT 7 Exhibition Opening at Clayton Campus (buses are available at Caulfield at 5.05pm and 5.30pm, and will return to Caulfield) | ||||
