SPEAKERS PROGRAM | Tuesday 27th September | Wednesday 28th September | Thursday 29th September | Friday 30th September
THURSDAY
9.00-10.30am |
Keynote Speaker: Johanna Drucker - The Work Event: Art in the distributed field and systems of production - K3.09 |
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10.30-11.00am |
Morning tea - Building G Concourse |
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11.00am-12.30pm |
Session 1 |
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VENUE 1 - G1.04
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VENUE 2 - G2.22
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VENUE 3 - G2.25
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VENUE 4 - G2.26
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VENUE 5 - G2.27
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VENUE 6 - G2.34
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| Topic: The print and narrative | Panel: Digital Media Aesthetics and Materiality | Topic: Print and the influence of digital technologies and new media | Panel : Print Mediation | Topic: Globalization, national identities and the post-colonial perspective | Topic: The history and theory of the print, printmedia and printmaking |
| Chair: Maryanne Coutts (AUS) | Chair: Troy Innocent (AUS) |
Chair: Marian Hosking (AUS) | Chair: Rebecca Beardmore (AUS) |
Chair: Gene Bawden (AUS) | Chair: Terri Bird (AUS) |
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Captive Subjects: Framing and Re-framing perpetrators of Crime |
Imprinting into and out of the virtual across the real |
Securing Norman Lindsay - The Trans-dimensional printed vase |
New Tendencies in Print at Sydney College of the Arts |
Annette O'Sullivan & Jacqueline Naismith (NZL) Wild Cultivated and Cooked: metaphor and essence in letterpress practice |
Imprint and Memory in the Analogue Book |
| Sarah Jones (AUS) Reading the Media |
Joel Collins (AUS), Indae Hwang Digital Media Aesthetics and Materiality |
Sarah Bodman for Tom Sowden (GBR) Drawing with Fire: The Art of Laser Cutting Paper |
Andrew Hurle (AUS) Freelancing |
Caren Florance (AUS) The Touch of Words: why letterpress lingers in Australia |
Hung Nguyen (AUS) Aesthetics of Austerity in Toda Seiju's posters |
| Maryanne Coutts (AUS) Non-sequitur: The Accidental Narrative |
Gordon Monro (AUS) The Image in the Age of Computer Agency |
Kevin Petrie (GBR) Printmaking for Ceramics and Glass - Intersections & Counterpoints |
Jessie Lymn (AUS) | Debra Livingston (AUS) Nurturing Creativity: Typographic visual abstraction through the letterpress poster |
Marian Crawford (AUS) & Anna Grieve (AUS) A Floating World - Printmaking, post-war Australia, Japan and Robert Grieve |
| Q & A |
Documentary nShape: From print to simulation
Q & A |
Q & A | Q & A | Q & A | Q & A |
12.30-1.30pm |
Lunch - Building G Concourse |
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1.30-3.00pm |
Session 2 |
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VENUE 1 - G1.04
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VENUE 2 - G2.22
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VENUE 3 - G2.25
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VENUE 4 - G2.26
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VENUE 5 - G2.27
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VENUE 6 - G2.34
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| Topic: The print as memorial, memory and trauma | Panel: Printmaking and the Post Medium Condition - a Borderless State? | Topic: Mobility, and Cultural and Technological change | Topic: Pedagogy | Panel : Asian Visualities and Contemporary Narratives | Topic: The history and theory of the print, printmedia and printmaking |
| Chair: Marian Crawford (AUS) | Chair: Ruth Pelzer-Montada (GBR) | Chair: Stephen Hoskins (GBR) | Chair: Jan Davis (AUS) | Chair: Assoc Prof Leong Chan (AUS) | Chair: Akky van Ogtrop (AUS) |
| Marian Crawford (AUS) The Print and Impossible Mourning |
Lesley Duxbury (AUS) Joel Gailer (AUS) Matthew Perkins (AUS) |
Simone O'Callaghan (GBR) Print the code > Code the print. Creating art at the cusp of printmaking & mobile media |
Steve Lovett (NZL) Where is the next generation of printmakers who will follow after the next generation of printmakers? |
Dr Wenmin Li (AUS) Chinese Traditional Woodcut Prints, Nian hua, and Chinese Contemporary Art |
Jennifer Marshall (AUS) Milan Milojevic (AUS) Mining the Archive: Re-cycling the past |
| Rebecca Mayo (AUS) Good Texts: The tracing of printmaking and grief through Actor-Network-Theory |
Pat Thomas (AUS) Conventions of the book: Analysing the impact of digital technology on the interpretation of images and text in news media |
Megan McPherson (AUS) Printmaking and learning in a notion of practice |
Peter Nelson (AUS) Extensions of a No-Place: Four narratives for invented landscapes |
Jennifer McKnight (USA) Cross-Disciplinary Projects: How Blended Disciplines Activate Change |
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| Claudia Terstappen (AUS/GER) The silent narrative of images |
Elizabeth Rankin (NZL) Negotiating narrative interstices: the lithographs and etchings of Marian Maguire |
Michael Kempson (AUS) From Papunya to Pakistan: Connecting with Asia through the research projects of Cicada Press, Colllege of FIne Art, University of New South Wales |
Abdullah Syed (AUS) Ruptured Masculinity: The Male Body in Popular Pakistani Poster Art |
Jennifer Kamp (AUS) (Re) Framing the Suburban Landscape |
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| Q & A | Q & A | Q & A | Q & A | Prof Leong Chan (AUS) The printed image and nation building in the Republic of Singapore |
Roz Bidin (MYS) & Wahiza Abdul Wahid (MYS) History and Development of Silkscreen Printing in Malaysia |
3.00-3.30pm |
Afternoon Tea - Building G Concourse |
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3.30-5.00pm |
Keynote Speaker: Teal Triggs - Ripped & Torn, but never thrown away: The legitimization of the ephemeral graphic object |
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5.30-9.00pm |
BBQ party at The Ian Potter Sculture Court at MUMA |
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