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Country |
AUS |
Affliliation |
Australian National University, Canberra; Ampersand Duck |
Biography |
Caren Florance lives and works in Canberra, Australia. She is a printmaker who identifies as a private press with a contemporary twist, using letterpress, printmaking and paper-play to produce a wide variety of work on the book arts spectrum, from fine press volumes and broadsides to book sculpture. Her press name is Ampersand Duck. |
Paper |
The Touch of Words: why letterpress lingers in Australia |
Abstract |
Letterpress in Australia has shifted from being a technical adjunct to the publishing industry to a direct reaction against the publishing industry. It is practiced by people who want to create physical textual objects, tangible and haptic. Its survival is a matter of sheer luck and tenacity in the face of a pragmatic nation that prefers to scrap and reshape rather than seek alternatives. As a technical process, letterpress is shape-shifting constantly to suit new conditions and dwindling supplies and equipment. This presentation paper will use a small geographical region, the Canberra-Monaro region as an example of the wider national (and international) transformation of textual printing from a commercial process to a bibliographic hobby and on again to an art & design genre, consequently gaining a new following and a new audience. The focus will be the use of moveable type, although relief letterpress printing with photopolymer plate will be included. |
Date |
Thursday 29 September |
Session |
11:00am - 12.30pm |
Speaking |
11:30am |
ampersandduck@gmail.com |
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Website |
http://ampersandduck.com/art/ |
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